Promoting Morality in the Aeneid and Metamorphoses Essay -- Comparison

Promoting Morality in the Aeneid and Metamorphoses Just as the authors of the Bible use an evocative, close mythological vehicle to convey covenants and laws that set the moral tone for Hebraic and Christian societies, Latin poets Virgil and Ovid employ a similarly supernatural disc over to foster their own societal and moral goals in Roman society. Where Virgils Aeneid depicts Aeneas as the ideal, duty-bound Roman patriarch absent from the conflicted Rome of Virgils youth, Ovids Metamorphoses lacks the patriotic undertones of Virgils epic. Instead, Ovids tripping Metamorphoses depicts several mythical stories - some not unlike the etiological justifications comprise in the early Hebrew scriptures - which chronicle the transitory nature of spiritedness and its effect on society. When Augustus defeated Marc Antony at Actium and began the first acts in his rule of what would be one of historys most powerful empires, he sought to pertain the morality and patriotism characteristi c of pre-civil-war Rome. The stolid Roman patriarch, thought bemused in the melee of civil strife, became the center of Augustus propaganda and legislative campaign to erst again bring honor and morality to his empire. It is from Virgils unfinished epic The Aeneid that this cautionary citizen arises, one who is not only a fierce warrior but foregoes person-to-person happiness for the welfare of his country as well. Virgils unfinished epic - to the highest degree discarded by its author until Augustus intervened - not only serves to smooth over the violence and slaughter of the past civil wars by attributing them to the course of great deal but also uses this strife as a tool to hack Aeneas as an ideal patriarchal figure. All these images on Vulcans shield His mothers gif... ...y. 6 Oct. 1999 Gillis, Daniel. Eros and Death in the Aeneid. LERMA, di BRETDCHNEIDER, ROMA, 1983. Henry, Elisabeth. The Vigour of Prophecy, A Study of Virgils Aeneid. Bristol untainted Press, Great B ritain, 1989. Lyne, R.O.A.M. Further Voices in Vergils Aeneid. Clarendon Press, Oxford, 1987. Mandelbaum, Allen, trans. The Metamorphoses of Ovid. By Ovid. San Diego Harcourt Brace & company, 1993. Poschl, Viktor. The Art of Vergil, effigy and Symbol in the Aeneid. Trans. Gerda Seligson, Greenwood Press, Connecticut 1986. Silvestris, Bernardus. Commentary on the First half dozen Books of Virgils Aeneid. Translated by Schreiber and Maresca. University of Nebraska Press. London, 1979. Quinn, Kenneth. Vergils Aeneid, A Critical Description. Routledge & Kegan Paul, London. 1968.